Why I was Drawn to the West

Cattle dog looking out car window reflected in side mirror with Wyoming mountains and open road beyond

My voice has always been here, even in the quiet.
I’ve just been speaking through my camera—about beauty, resilience, love… and what it feels like to be alive.
Not just for me, but for the people I photograph.

So it wasn’t one moment.
It wasn’t a plan or a bold decision where everything suddenly made sense.

If anything, it was quieter than that.

A pull of memory.
I wasn’t searching for Wyoming, specifically.
If anything, I thought it would be the Montana of my childhood. The stillness I felt— on Forest Rose.

The quality of early morning light filtering through the trees and campfire smoke. The way the water felt wading in the coolness of Dunkleberg Creek.

Like something I kept returning to—without fully understanding why.

But looking back, I was searching for peace.
For myself.
And for my work.

The first thing I noticed out here wasn’t the mountains.

It was the space between things.
The distance.
The stillness.
The silence.

Expansive mountain valley landscape near Beartooth Highway with soft light coming through layered ridge lines

The light moves slowly across the land.
The weather can be seen coming from a hundred miles away.
Nothing feels forced or held back.

That kind of openness can make some people uneasy.
But for me—
it feels like safety.

I spend a lot of time alone now.
Riding.
Fly-fishing.
Seeking places that aren’t easy to reach.

And over time, I realized—
that’s what kept me here.

River winding through mountains in Wyoming on a stormy evening with the hint of a rainbow

Not just the land itself,
but what it asked of me— and what it’s asked of my work.

To slow down.
To pay attention.
To let things be what they are.
To learn how to be okay being alone— to rely again on instinct.

It changed the way I see.

And because of that,
it changed the way I photograph.

I’m not chasing moments anymore.
I’m noticing them.

Rustic buck and rail fence leading through rolling hills and sagebrush landscape in Wyomings chief Joseph highway

The way wind moves through the grass, a mane, or someone’s hair.
The way light settles at the edge of the day.
The quiet in between everything else.

Nothing out here needs to be chased.

And I don’t think photographs should be either.

Maybe that’s what I was drawn to all along.

Not a place, exactly—
but a way of being.

Woman standing in Wyoming mountain on a stormy evening

I didn’t come here to become a keeper of this place.
But somewhere along the way,
I did.

 
Tami Moore

Photographer. Wanderer.  Seeker.  Connector.  Angler.  Believes that your life story is immensely powerful and has a strong desire to help you tell it beautifully.  

http://www.tamimoore.art
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